An autobiographic account of a time many of us would rather forget, it begins in May of 1970, in the little town of Oxford, NC, when a playmate whispers to ten-year-old Tim Tyson, "Daddy and Roger and 'em shot 'em a nigger."
As I read, my thoughts kept going back to my childhood in the Fifties -- and all the things that I was blind to -- separate drinking fountains, schools, hospitals, taxis, waiting rooms, rest rooms for black and white; the black woman who worked long hours for little money, cleaning my grandparents' house, cooking many of their meals, but never eating off the china the white people used -- no, my grandmother had a special shelf with Annie Davis's plate and glass and flatware.
It's how things were.
And the man who came on Saturdays to mow the lawn -- Fred Gardner had a Masters degree (from a black college, of course) and was a schoolteacher (at a black school, of course.) He mowed lawns on Saturday and gave the proceeds to his church. And every Saturday morning, my grandfather (who had an eighth grade education) would go to the garage and start the lawn mower for Fred, feeling that it was too complicated a process for him to understand.
I was fortunate never to have seen the ugliest side of racism. But the benevolent side was bad enough.
This picture, taken at the time the schools in Little Rock were being integrated, shows so clearly how racism's evils affect both sides. Caught up in mob hatred, the white people are a portrait of evil and ignorance at work.
A few years ago, I saw an article in which the screaming young woman in the center, older and finally wiser, had sought out the calm girl who had been the object of her anger and apologized.
Though my sins were of omission, rather than commission, I wish I could apologize to Fred Gardner and Annie Davis.
June 1o - Speaking at a luncheon at Montreat College Library
June 25-July 1 -- John C. Campbell Folk School. I'll be teaching A Practical Guide to Writing Popular Fiction. Your novel starts here with this intense, week-long class. We will focus on writing realistic dialogue and creating characters that move through and interact with a fully realized setting. We will discuss different approaches to plotting, tricks for building suspense, means of ensuring continuity, and the avoidance of info dumps. We'll also talk about forming or joining critique groups, the ins and outs of self editing, agents and how to query them, as well as the various publishing alternatives available today. All levels welcome. Link to JCC HERE.
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I'm the author of The Elizabeth Goodweather Full Circle Farm Appalachian Mysteries from Bantam Dell. The series includes SIGNS IN THE BLOOD (LA MONTAGNE DES SECRETS in France), ART'S BLOOD, (LE SECRET DES APPALACHES in France,) OLD WOUNDS,IN A DARK SEASON (Anthony Nominee, Best PBO), and UNDER THE SKIN. There's also THE DAY OF SMALL THINGS (a spinoff/standalone)chronicling the unexpected life story of Miss Birdie, one of Elizabeth's neighbors.
Currently I have just completed a historical novel, dealing with a massacre in my county during the Civil War.
I came to this weird business late (my first novel was published in 2005) and am still trying to figure it out.
As my novels are set in a place much like my real life home, I thought I'd use this blog to share pictures of our farm and county. I've been blogging for nearly nine years now, on an almost daily basis, and the topics have ranged from writing, chickens, food, books, quilts, flora and fauna of all sorts, to the occasional tiny rant. There's no plan, but there are lots of pictures.
There's more information about me and my books on my web site: http://vickilanemysteries.com/