Words and pictures from the author of And the Crows Took Their Eyes as well as the Elizabeth Goodweather Appalachian Mysteries . . .
Josie is writing a chapter book. My only input has been to spell the hard words.
Like many authors, she got to a big scene and is having trouble deciding what happens next. I am not allowed to make suggestions.
1949
When I was
six, Dolly, my Great Aunt Mamie’s youngest, was getting married and Ba (my
maternal grandmother and Dolly’s aunt) and I rode the train from Tampa to Troy,
Alabama. I was to be the flower girl and Ba, using her treadle Singer sewing
machine, had made me a dress of rosebud -sprinkled white satin with a
sweetheart neckline and puffed sleeves.
The train
ride was enormously exciting—we had one of those little private compartments
with (oh joy) a bed that let down from above the window. And making our shaky
way along the rattling corridor to the dining car and its white tablecloths was
little short of magic.
In Troy,
Aunt Mamie’s house was overflowing with family and Ba and I were given a bed in
the attic, next to the big attic fan through whose opening we could hear the
buzz of activity below. (Many years later, when Ba was in her nineties,
bedridden after a stroke, she kept saying that there was a wedding going on
downstairs.)
I remember
nothing of the wedding but recall that at the reception I hung out with the
ring bearer, a little boy named Rusty. Was his hair dark red? I think so. There
was a fella playing the piano and I asked him to play Home on the Range—my
favorite song at the time.
Over fifty
years later, I had a letter from Dolly. She was facing terminal cancer and was
using her time to contact everyone who’d ever been important in her life. I
don’t think I’d seen her since the wedding, but she thanked me lovingly for the
part I’d played on one of the happiest days of her life.
Rain and fog and more rain.
A scooter (?) built for two. Again, it could be my mother. Or not. She's very serious, whoever she was.