Words and pictures from the author of And the Crows Took Their Eyes as well as the Elizabeth Goodweather Appalachian Mysteries . . .
Friday, April 16, 2021
A Crowded Calendar?
Thursday, April 15, 2021
Wednesday, April 14, 2021
Perceptions
Tuesday, April 13, 2021
Monday, April 12, 2021
Soft Opening
Sunday, April 11, 2021
Saturday, April 10, 2021
The Southern Woman--Waking
In my writing workshop, we were
discussing a hilarious piece by one of the class members who writes wild,
over-the-top, occasionally bittersweet vignettes of life in the South. This
piece profiled her mother-in-law as the quintessential Southern woman: keeper
of heritage, wearer of Doncaster suits, lover of tobacco, and God. Painted with
very broad strokes, it was a delightful read.
Then one of the class raised the
question, “Shouldn’t you specify that she was White—I mean, there are a lot of
different Southern women.”
Good question. And it stopped me
cold.
I was still thinking about this
the next morning as I lay in bed waiting for the sunrise, thinking how, as a
White person myself, White is the default mode in my perception of
characters—unless the character is identified as a POC, whether by description
or, alas, unfortunate racial stereotype.
The Southern woman—I immediately
think of my maternal grandmother. Born in Alabama, a Baptist Sunday School teacher in
her youth, bridge player, visitor/supporter of Tampa’s ‘old folks’ home,’ traditional
(and this encompasses Black and White) Southern cook, compulsive solitaire
player in the long afternoons, and a most excellent grandmother, teaching me to
embroider, sew, and even, heaven help us, to do simple drawn work, aka
hem-stitching.
She was a lady of leisure—though
she bustled around in the mornings, airing pillows, cutting flowers to fill the
vases in the big, spotless house, and baking endless pound cakes, loaves of
banana bread, and chocolate chip cookies.
And the shadowy Southern woman who
kept that big house so spotless? Annie
Davis, who for many years daily prowled the premises like a noiseless dark
Roomba, dusting, sweeping, polishing. It fell to her to shell the field peas
and snap the beans, to hang out the laundry in the pre-dryer days, to iron
virtually everything including bed linens and my grandfather’s underwear, even
to take a vengeful hoe to the occasional snake that dared to appear in the back
yard.
At lunch time the two Southern
women shared a meal. But my grandmother ate in the breakfast room and Annie
perched on a stool at a counter in the adjoining kitchen. There was a little
amiable conversation, called back and forth between the two rooms, usually
about what needed doing that afternoon. Annie, by the way, was provided with
her own separate plate, glass, and eating utensils, just as she had a ‘maid’s
bathroom’ in the garage.
The memory of this is painful to
me now. Why didn’t I see the ridiculousness of it, the injustice? But it was
the way it had always been and, as a child, I never questioned it, any more than
I questioned the separate drinking fountains and restrooms in public places.
It took the Civil Rights movement
of the Sixties to wake me up—though I realize I still have a long way to go to understand the extent to which White privilege has permeated my life.
But this morning, as I lay
reflecting on all of this, I swear I could hear the taciturn Annie Davis crying out,
“Ain’t I a woman? Ain’t I a Southern woman?”




















































